Uncategorized

A Critical Hit in Edinburgh

On Sunday, Critical Role performed a show in Edinburgh for the first time, and I had the privilege to be in the audience. But before going any further, it’s worth explaining what Critical Role is, because this is a writing blog rather than a Dungeons & Dragons (D&D) fansite.

This event is a long‑running collaborative storytelling series where a group of professional voice actors play D&D. They building character arcs, improvise plot turns and twists, and shape an evolving fantasy narrative. It’s part-game and part-performance, combining into a sprawling epic.

I’d known for more than a year that this was happening, but I didn’t instantly snap up a ticket, reasoning that while I did enjoy them, I wasn’t a superfan. That was until earlier this month, when I heard there were a number of resale tickets available. I gave it some consideration. Some pals said I could stay overnight after the event, which eased the logistics enormously, so my mind was made up.

After some fish and chips, we headed to Edinburgh Castle, a location that almost seems engineered for fantasy storytelling. You can bet the audience leaned into it too, with the vast majority of attendees in some form of costume, many head-to-toe.

Their live shows are known for being lengthy, as you can see from the running times of their existing videos. This one ran from 6pm sharp to around 10:40pm, including a 20‑minute break.

I knew the comedian Daniel Sloss would be acting as MC, but I didn’t realise he would play such an integral part in the story. For me, he was an absolute highlight, merging the established tropes with peculiarly Scottish humour. At one point, he offered the actors bottles of Buckfast and they seamlessly made it a minor plot point.

The only downside was the almost absent crowd management. The queues for bathrooms, drinks and merchandise were so unclear that more than on logjam formed without stewards keeping the flow moving. It didn’t derail the actual event, but it was noticeable enough to tar the experience.

I’m giving away as little as possible here because the recording will be available on YouTube in due course. I was quite far away from the action, so I did watch most of it on the giant video screen anyway. It’s different, however, when you’re surrounded by hundreds of people echoing the catchphrases or stamping their feet when the baddies were blasted to bits.

It’s unlikely I’ll be following Critical Role around the world, but if they chose to come back to Scotland in a year or two, I’d consider going again.

Uncategorized

On a Writing Kick

Last Tuesday, just as my scheduled post was ready to go, I received an email saying that someone had recommended my blog. So a big shout-out to to The Threaded Shillelaugeh for doing so.

I must confess that I rarely venture onto my Reading feed, although I do receive email notifications when certain accounts create a new post. I’ve now saved my Reading and Subscriptions pages prominently on my Favourites bar. I first need to weed out the inactive profiles, and I”ve already jettisoned an overactive account that posted every few hours and dominated the feed.

But there’s another reason I haven’t been reading as much lately, and that’s because I’m currently going through the most productive period of writing I’ve experienced in a long time. I’ve reached the point where I’ve been writing deep into the night, which is highly unusual for me. Thursday was my longest session; I was up until 3am, and I only canned it because I was exhausted and needed to work the following morning. I was nowhere near finished the text.

To find the last time the words flowed so freely, I need to go back to my earlier attempts at the now-defunct National Novel Writing Month, or NaNoWriMo, where the challenge was to write 50,000 words in a month. That said, I’ve discovered I write best when I do it episodically because my natural concluding point is in the region of 2,000 words.

I was already penning my fourth story in a nine-part series, and then an idea struck for an extra chapter of an existing 25-part series. The first in the series was intended as a one-off, then I thought it wouldn’t have more than four parts, and then I declared it would wrap up around 20 parts, and I’ve shot past that.

Because it features an ensemble cast, it’s proving easy to think of new plot points related to the central premise. So easy, in fact, that I’ve around 3,500 words, which is already double my normal stopping point – and there’s much more to follow. Fortunately, there’s a natural cliffhanger in the plot to keep readers gripped until the 27th chapter, which I fully expect to contain another 3,500 words.

With that series, I’ve had to make up a retrospective notes document to keep the main action consistent.

A few days ago, for instance, I thought one character was four years older than another, when she’s actually six years older. In another case, I forgot whether two other characters had been given a surname. This is published on a writing website, so I’ve now asked my fellow writers whether they recall one being given.

With the newer series, I’ve made a point of creating that notes document early, which has been a terrific move.

I don’t know exactly how I’ll feel once this writing kick is over, but I expect I’ll start going to bed at a reasonable hour again.

Uncategorized

A French Revelation

Back in February, I explored the possibility of learning a second language, posing the question of whether to choose French, German or Spanish. On account of its widespread use across Europe, I was already leaning towards French, and then I saw a part-time university course to learn it: five classes of two hours per week, beginning on the last Thursday of May.

Once I signed up, I discovered I knew one of the other attendees. If I believed in omens, this was a good one.

Although the course was aimed at beginners, I wanted to make a head start with some groundwork. I initially turned to Clozemaster, which I’d used to grasp Swedish and later Dutch. This displays a sentence in the target language with one word missing; below that is a complete English translation. As the name suggests, the challenge is to cloze the gap by selecting or typing the correct word.

The main problem is that the eye latches onto the English phrase, rather than allowing you the opportunity to infer the meaning from the context. After a while, you’ll learn by rote that a sentence is correct without being able to identify the underlying pattern. Additionally, there are no oral practice activities, so learning is limited to written exercises only.

As such, I closed my Clozemaster account and instead began listening to Le Français Facile, which is updated every day with world news in simple French. It’s presented by real reporters, and there’s a transcript in the target language to follow along like a karaoke track, which can be translated by the Firefox browser. This is great for teaching pleasantries, set phrases, and up-to-date terminology.

Along with other support and resources, I thought this would give me a good enough basis, and that the first week would be spent going over similar ground. However, the advertised class for beginners had attracted more of a mixed-ability crowd, with 16 registered students.

I received a feedback form yesterday, and I won’t hesitate to give this a mixed review, as below.

One couple, for instance, had previously lived in the country for years, while another had moved back from Canada, although I never established whether this was Quebec. The tutor also seemed surprised when I mentioned this was my first foray into the language.

It felt for much of the time that she was trying to teach two classes simultaneously. For instance, the formal tone of Do you read books? (Est-ce que vous lisez des livres ?) was most useful for beginners, while the informal (Lisez-vous des livres ?) was aimed at the experienced learners.

This disparity was only properly addressed in the fifth and final week when she split the class into two and guided the folks like me. We asked and answered questions as a round robin, which helped enormously.

That’s not to say I picked up nothing useful from the other four weeks. The tutor clearly knew her subject, talking us through matters of etiquette in shops and cafés, and slang we might use with friends. It was useful to know the English and French words that look similar but don’t map onto each other, such as l’addition referring to a restaurant bill rather than a mathematical operation.

At the suggestion of one classmate, I’ve now purchased a BBC Active Languages set with three books and four audio CDs, though I’ve yet to start these. I’ve also followed relevant creators on YouTube, as suggested by another classmate, one of whom uses a lot of gestures. Gestures are such an underrated way of learning.

Furthermore, I follow a few poets on Instagram who regularly post short updates in French. They’re from Quebec, so their sentences may occasionally feature distinctive grammar. I’m led to believe while that the differences may be a little jarring, they’re not difficult to decipher.

Now the classes are over, I will continue with my learning. I still make a point of choosing and saying out loud at least one sentence per day from La Françis Facile, or another relevant source, then writing it down in a dedicated notebook with a translation.

All of which is to ask two basic, but opposite, questions. It’s aimed at any of my followers who have learnt a foreign language, whether that’s French, English or otherwise:

What's the one activity, exercise, drill, &c, that you believe (a) helped your learning the most and/or (b) simply wasted your time?

Merci d’avance !

Uncategorized

A Fully-Booked Weekend

This weekend just gone, I made a point of going to the Dundee Book Festival.

It would have been easy to take in a lot of events. The festival ran from Friday to Sunday, inclusive, and its three venues were all close together. The Steps Theatre acted as the base location, with a few events at the adjoining Central Library, and a few more at the nearby McManus Galleries.

I was selective about my attendance, however, as I’ve previously found it’s easy to be carried away and tie up the whole day. I settled on four events, even if I ended up only seeing three. There was a misprint on the new writing showcase that the end time was 10:30am. This led me to miss the 10:30am start to the next event, about how to submit to My Weekly magazine. However, I’m pleased to report I saw the other two unhindered.

This particular festival is relatively new. It was first organised by Leisure & Culture Dundee in 2025. It also serves as the spiritual successor to the Dundee Literary Festival, which ran from 2006 to 2017 and was an initiative of the University of Dundee.

The literary festival enjoyed a close affiliation with the now-defunct Dundee International Book Prize, which was awarded from 2000 to 2016. As it stands, the university is in no financial position to bring back either the festival nor the prize.

It remains to be seen whether this book festival will match the longevity of its predecessor. However, I can see a lot of potential, so I look forward to its return next year.

Uncategorized

A Good Day for Goals

In honour of our team reaching the World Cup for the first time in 28 years, Monday 15 June was designated as a public holiday across Scotland. In practice, it wasn’t mandatory, although my employer observed it.

The holiday was motivated in part by the timing of their first match against Haiti. Kick-off was at 9pm in Boston on Saturday 13 June, which equated to 2am on Sunday morning in the UK. I don’t care much for football, and I’ve long been opposed to public holidays, but even I must grudgingly admit it was a nice gesture.

I decided early on to use the day for catching up with my writing, dividing my time three ways: editing existing text, writing further narrative, and worldbuilding. By the evening, the project was on firmer ground than in the morning.

As I explored on the blog three years ago, I’ve tried many times to write outdoors and it rarely works out well. So despite the brilliant weather on Monday, most of the day was spent inside at the computer, except for a couple of walks with the official Taskmaster podcast.

Although I’m a fan of the TV show, this companion piece had somehow bypassed me. So every time I go for a long enough walk, I catch up with one more past episode, which has helped me to make a decent dent in the archive.

In my experience, consistent and steady sessions are the key to making progress on a large project.

For around a decade, I’ve owned a copy of War & Peace by Leo Tolstoy. I’ve been going back to it intermittently during this time, and I’d reached page 767 of 1296 pages by October 2024 – although much of the latter section is given over to endnotes and other explanatory details. Despite its length, most of the chapters can be read in ten minutes; there are simply a lot of them.

On 22 May 2026, I set some time aside to read one chapter before bed and another after waking up. While I don’t always manage, I’m now rapidly approaching 900 pages, so I’m on track to finish by the end of summer.

The public holiday was a massive boon for that writing project, but without also tackling it on a regular basis, it could take a long time to finish what is expected to be a series of nine stories. At least the groundwork is firmly in place, and when I find that regular time to work on it, I’ll have a stronger idea of its future direction.

Uncategorized

Back In the Room

A number of factors came together yesterweek, including scheduling problems and technical problems, which meant I couldn’t bring you a full entry. In the short explanatory note, I mentioned there were three possible topics I could cover. During the intervening period, however, I’ve added another one to this list, and it’s that I’m covering today.

The horror film Backrooms was released into cinemas at the tail end of May, and I had a chance to see it on Wednesday of last week. The director Kane Parsons didn’t come up with the central idea, but used the existing concept from popular culture. He’s previously expanded upon it with a series of short films available on YouTube.

In short, the eponymous backrooms are an endless maze of empty rooms and partitions that resemble an office or storage space, often illuminated by harsh lighting and decorated in shades of yellow. The architecture is largely stable, so any character who goes through an entrance can typically return to the previous room, and objects can be carried in and out.

The limitability of the place also frequently reminds people of a real-life place they’ve been before. In my case, my dad used to have a hair salon in the basement of a bank, which was accessed by a long staircase. Fluorescent lighting was a necessity, since there wasn’t so much as a window at street level. I also remember an unfinished section that looked onto bare rock; I called it the dungeon.

But I’m going off the point somewhat, as this blog is about writing, not art. In the film, the setting is front and centre of the whole narrative, so I was interested to see how it was described in the script. I expected there would be a leaked copy of the screenplay going about. Instead, I can only find a minimalist rendering that strips out everything but the dialogue, making it no help at all.

Nonetheless, I liked that the sets are varied, but there are no contrived traps for the characters. They’re often free to leave at any time, provided they know which corner to turn and if they can outrun anything that’s chasing them. It also steers clear of parodying films with similar characteristics, such as The Shining, The Blair Witch Project or Being John Malkovich.

Considering the practical sets built for the occasion, it’s remarkable this was delivered with a budget of $10 million, which is low-budget in Hollywood terms. Yet there is one other film around at the moment with even tighter purse-strings.

If $10 million is low-budget, then the $750,000 to shoot Obsession is practically pocket change. There are some parallels: this is also a horror, and its writer-and-director Curry Barker also started on YouTube. From here, however, it travels in its own direction, following a more conventional path with storytelling and gore at its centre.

It may be a coincidence that these two directors have come from a similar background to release low-budget horror films in the same month.

Equally, it might also be the beginnings of a trend where we see ideas transfer more readily from the computer screen to the cinema screen. If so, we must also brace ourselves for a hundred photocopies of Backrooms, or narratives just different enough not to tread on the toes of Obsession.

Uncategorized

It’s Not Happening This Week

My schedule and my technology has been against me for the last few days. It’s frustrating because I have three possible topics I could cover, but I’m unable to explore any of them.

Instead, I’ll be back next week with a full entry.

Uncategorized

The Radio Show Reviews That Never Happened

At the beginning of the year, I briefly considered devoting the last entry of each month to a review of a different programme from BBC Sounds. I listen to a lot of their audio comedy and drama, so it seemed like a workable idea at the time.

I abandoned the plan soon after, however, and there are a few reasons behind that decision. The saved draft from 19 January 2026 included a list of the shows I thought I might cover. Here they are in the order they were written down:

The list also illustrates the first problem with the idea: whatever I reviewed would need to be available at the time. Like most streaming platforms, BBC Sounds removes programmes after a set period.

The entries with links were still active at the time of writing this entry, so if I’d decided in January that the topic for May would be Clare in the Community, readers wouldn’t be able to listen for themselves.

Which brings me to the second factor behind the abandonment: how much time I have available to review them.

When I listened to each of these programmes for the first time, it was on an informal basis where I wasn’t necessarily taking in every word but gaining a general sense of the plot. By contrast, an effective review needs active listening, for which I would need to go back and take notes. Fukushima, for instance, contains more than three hours of script, time I doubt I would be able to spare.

When I was studying for my M.Litt Writing Practice & Study degree, I was roped into writing three book reviews for the university magazine. I say three, but for one of these, I’d written the review before the tutor told me she’d only lent me the book for interest; it was still accepted for publication, so my effort wasn’t wasted. It was rewarding to see the finished product, but there was so much input for an article that took five minutes to read.

My third and final reason is the most detailed one.

Let me take you back to a banner advert I used to encounter on the Internet in the 1990s. The headline was Tired of seeing movies based on one guy’s opinion? I’ve long forgotten the name of the service, but it would have been an early aggregator for audience reviews.

At the time, I thought this was a fantastic idea. If I was unsure about Titanic or The Matrix, then instead of relying on the film review in the paper, I could see what others thought before buying a ticket.

But with the crowd-as-reviewer model now the more dominant one, I can see the flaw in hindsight. That one guy, as they put it, generally understood structure, nuance and how to convey this to readers. He was worth a dozen armchair critics who instead based their reviews on the attractiveness of Kate Winslet or had a bee in their bonnet about the science of the titular Matrix.

As such, I asked myself whether we really need any more reviews, albeit in a more niche art-form than cinema. Taken with the other two reasons, my answer – at least for the moment – is in the negative.

Uncategorized

Back to Basics with Spell‑Checking

I’ve been using the free tier of Grammarly since 2017, but I’d disabled the extension in Firefox.

This was primarily because my old computer didn’t have enough RAM and couldn’t easily handle the extra work. Even once I invested in upgrading the memory, I simply didn’t think to turn it on again.

So for a long time now, I’ve been writing these entries without the aid of a spell-checker, and that’s led to a few errors that weren’t picked up manually.

Last week, I decided to switch it back on, and I was quickly reminded of the other reasons I’d disabled it.

When a suggestion box appeared underneath the text, like correcting suggesiton to suggestion, I found this useful.

But Grammarly also constantly pushed its Pro membership level through these boxes. The software was set up to reveal only a few advanced suggestions per day before blanking them out and telling the user to upgrade.

I found those few advanced suggestions would amount to little more than a find-and-replace with a thesaurus; found might be changed to discovered, or stay to remain. There appeared to be no way to switch these off or even to snooze them for a fixed period

I’ve been writing long enough to know I need a strong spell-checker but a low-level grammar checker that only looks for obvious errors like should of rather than should have.

Grammarly was already beginning to bloat with features even in 2017 and this has only continued to grow. It must be stated, however, that’s far from exclusive to this software, and there are writers who will benefit from that Pro level subscription. I’m simply not one of them.

After closing my account, it was time to take advantage of the spell-checker built into Firefox. By adding a third-party dictionary to ensure all words belonged in British English, I’ve been able to catch the majority of errors without the need for further suggestions.

Uncategorized

Digging into the Edinburgh Spoken-Word Scene

Continuing a recent trend, I’ve been going to more spoken-word events. This hasn’t been a conscious decision, but instead a combination of wanting to see my poetry pals in action and simply being available on the night.

My schedule worked out in such a way that I was able to visit the Athletic Arms in Edinburgh, known locally as The Diggers, for the two-monthly Graveyard Shift event. It’s further afield than I could normally manage.

One of the headline acts, Ross McCleary, brought this to my attention. I’d originally wanted to surprise him, but it was necessary to clarify some details, particularly as the poster showed the date as Thursday 7 May, whereas the Ko-Fi page initially listed Tuesday 12 May.

So with my train booked and a rough idea of where I was going, I arrived just in time for 7pm. Cards on the table, I would typically steer clear of any pub so closely associated with a football team; in this case, Hearts of Midlothian FC.

However, I found the place nothing less than welcoming to a variety of drinkers, almost none of whom were in team colours. I was particularly impressed by the snug at the back, sectioned off by a thick door from the noise of the main bar. It even contained a makeshift cloakroom.

These are not luxuries I’ve always experienced when running my own events, not by a long chalk.

Ross was the last headliner of the night, with Annie Brechin presenting a wonderful spoken-word set in the first half. I was able to speak to both of them throughout the evening. In between, we heard Grant B Robertson playing comedy songs on guitar. It’s a purely personal view, but what a welcome break from the navel-gazing I’ve come to expect from solo musicians.

The Graveyard Shift also opens its stage to a handful of open-mic performers, who are allotted up to four minutes apiece. Not every one of them was up my street, but grassroots poetry thrives on that mix of voices from the beginners to the seasoned, from the angry to the jaded, and all in between.

The next event in July is on a Tuesday evening when I’ll be running my own group, so I know I won’t make that. If the stars align again, however, I’d be delighted to go back and perhaps grab one of those open-mic slots.