Tag: writing

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Discussion Questions About Discussion Questions

On Sunday evening, I reached the end of the Richard Osman novel The Man Who Died Twice. I always like to read over the acknowledgements, and then I turned the page to find a section titled ‘Discussion Questions for Readers’.

Most of the questions give away plot points, so I won’t repeat those here, but there are a few only tangentially related to the story, such as ‘Have you ever been lonely in a new town?’ and ‘What is an acceptable name for a pet, and what is unacceptable?’

I’d never before seen this feature in a novel, so I asked around to see whether others had. While some pals were – like me – surprised to see this outside of an educational setting, others reported discussion questions appearing in other books, such as:

  • A Man Called Ove by Fredrik Backman
  • The Seven Husbands of Evelyn Hugo and Daisy Jones and the Six, both by Taylor Jenkins Reid

These titles were all published in or after 2012, and I’d be interested to find out whether any older novels also have this feature.

One respondent reported debating with herself whether such questions encourage critical thinking or are merely there to spoon-feed reading groups. I’ve considered this question myself, but I have no conclusions so far.

It’s not clear whether the discussion section was the initiative of the author or the publisher, but I expect you’d want to test the waters first. My edition boasts ‘The multi-million-copy bestseller’ on the cover, so I expect Penguin Random House knew by this point that its readers would want to discuss the title.

Although I really enjoyed The Man Who Died Twice, perhaps I haven’t seen a discussion section before because I simply don’t normally lean towards crime fiction, cosy or otherwise. However, I will keep an eye out for this in the future.

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Sky Writing and Railway Reading

Yesterweek, I talked about going to Dublin for a few days and what I would bring to read and write on the three-day trip.

The flight there takes about an hour and five minutes from Edinburgh. I used the journey there to write six postcards, which I would then post on arrival, and tackled some other writing on my return. As predicted in that last entry, the cashier was indeed rather bemused as she handed over my stamps.

On the second day, my pal and I took a train to Belfast and back, taking around two hours each way, I split my time between writing in my notebook and reading my magazine.

It was helpful to have this time, but it would be more helpful if I were able to recreate this experience at home without the expense of travel. I’ve heard the suggestion of listening to ambient train noises as I write, but I also rationally know I can step outside my door at any time; not something you can do on a mainline railway.

If you’ve any suggestions on that front, I’m all ears.

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Sky Writing

If you’ve flown with Ryanair before, you’ll know the company doesn’t have a generous baggage allowance. So when I head off to Dublin for a few days tomorrow, I’ve had to be selective about what I bring for reading and writing for the journey.

I’m definitely bringing my laptop, which will sit alongside my plastic A4 document holder. This comfortably holds my A5 paper diary and a commercial-sized paperback. My current read is The Man Who Died Twice by Richard Osman, and it’s the first time in a long time I’ve wanted to read a whole series.

However, I’m going to visit a pal from university on her birthday weekend. We typically swap cards by post, so I’m taking the opportunity to hand it over in person and I’m including a book, which will take up the other half of that document holder. As such, I’ve decided to take my copy of Writing Magazine to read instead, as it’ll slot nicely into the holder.

This gives me just enough room left to slip in some postcards. I know these went out of fashion with the advent of the text message and they’ll likely arrive home long after I do, but I specifically wanted to send some. I’ve already stuck on the address labels, so it’s just a matter of writing the messages and taking them to a post office, no doubt to the bemusement of the cashier.

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Nice NaNo-ing You

Long-time readers of this blog will know I’ve been involved with National Novel Writing Month (NaNoWriMo) since 2010. This is a not-for-profit initiative that encourages members to draft a 50,000-word novel every November.

In 2015, I began to organise our local Dundee & Angus region. A local leader is known as a Municipal Liasion (ML). Each ML needs to sign an agreement every year promising to enforce the code of conduct, hold regular meetings, and so forth. In fact, we already go over and above the agreement by holding meetings every week, not just during November.

I always like having a second ML in charge to help me make difficult decisions. This turns out to have been a prudent move.

Late last year, a member of NaNoWriMo staff in California stood down after making a racist comment about a colleague. Separately, the organisation was slow to remove a forum moderator who was sending inappropriate material to minors.

As a reaction to this, a new Interim Executive Director was appointed without warning, who then released a draft ML agreement with several adverse clauses. These included requiring us to verify our identity with a US company that doesn’t comply with GDPR and preventing us from speaking to MLs in other regions. There has also been a general air of disrespect in replies from this Director, which I haven’t experienced in a decade and a half of involvement.

There are a lot of aspects to this story, but that’s a summary of the main points.

As the situation with NaNoWriMo worsened, the other ML and I started serious discussions about withdrawing our affiliation and becoming an independent group. Our format had slowly evolved over the years, adapting to what members wanted, and we felt we could retain this aspect without external oversight.

Around this time last week, we sent a long bulletin announcing our independence and offered the opportunity for members to ask questions.

The news seemed to go down well. By this time, the MLs from most of the other regions in Scotland had also decided to step down. If anything, the decimation of NaNoWriMo has brought us closer together.

The next discussions in our local area will be about what to do with this newfound freedom. We’ve already amended our terminology to distinguish ourselves from our former identity, registered a URL for future use and discussed holding a summer writing event instead of a November one.

Whatever happens, we remain convinced that withdrawing our NaNoWriMo affiliation is the right action to take and we look forward to the year ahead.

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I’ve Started So I’ll Finish

On Saturday, I made my annual visit to StAnza in St Andrews, billed as Scotland’s International Poetry Festival.

I’ve been going for around a decade, but my commitment has varied from year to year. Sometimes I’ve been to as many events as possible during a day trip, and sometimes I’ve booked accommodation so I could stay for the late-night slam.

This year, I made a conscious decision to buy just one ticket for the Breakfast Poetry show. As part of the entry fee, the audience is offered light refreshments and a coffee. In the afternoon, I planned to take the opportunity to catch up with my pal Robert who lives in St Andrews.

My advice for going to StAnza – and poetry events in general – is always to carry a notepad and pencil. I always find little nuggets of information that would otherwise be forgotten afterwards.

I’m glad I did because I was trying to compose a poem for my monthly Wyverns group using the prompt ‘Stars and planets’. I’d been turning over two ideas but they’d been coming out as short stories.

But as I listened to our guests Rachel Mann and Yomi Ṣode, it started to come together. It’s hard to quantify, but just being around other poets can help the process along. I was able to complete the piece that morning.

The following day, I typed up the piece and sent it to the group. The meeting had already taken place a week before it normally does because of a scheduling conflict, but I did received generally positive feedback by email.

I don’t yet know what my next festival will be, but I’m looking forward to finding out what’s on.

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Raising a Toast

In last week’s entry, I made a passing reference to Toastmasters International. I’d known for a long time there was a branch near me, but I’d never managed to attend because it always coincided with something else.

I then discovered there would be a meeting the day after that entry was published, so I made a decision to try it out. Potential members are permitted to attend up to three events free of charge before deciding whether to join.

I was immediately impressed by several elements, from the encouraging posts on the Facebook page to the welcome from the hosts and other members at the hotel where they meet. I was glad to see the schedule running to the minute; for example, the first few items took place at 19:00, 19:02, 19:12, 19:14, and so forth. All timekeeping was enforced by a manually-operated traffic light system.

After the introductions, the event started with three speakers each giving a five-minute presentation on a given topic. The rest of the members would each fill in separate evaluation forms, giving the speaker feedback on what they liked and what could be improved. While those forms remained confidential between writer and receiver, one designated evaluator would later give public feedback.

The second half of the meeting took a more speed-dating approach, with members paired up at random and asked to question each other for four minutes apiece. This gave me an idea of what motivated people to join the organisation. One took it up after retirement, another was more focussed on the educational programmes – called Pathways – and a third wanted to encourage more girls into STEM subjects.

I’m told the speed-dating wasn’t a usual feature, and that the time would typically be given over to other members who wanted to be assessed on presentation style, including how often ‘Ah’, ‘Um’ and other filler words were used. I would have benefitted from this, as I find myself using these all the time.

So that’s already one good reason to join Toastmasters, and I wish I could say I signed up on the spot. The package they’re offering is right up my street; it mixes improv, lived experience and networking. Even the fee of £14 per month (plus a £20 joining fee) is good value. You could easily pay more than that for a typical night class at university.

The largest stumbling block is entirely practical. This branch meets twice a month, while my open-mic takes place on the same night as one of these. My attendance rate would be 50% at best, and I feel I can’t offer the commitment it deserves.

If my circumstances change in the future, I’d be willing to give Toastmasters fresh consideration.

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A Time for Writing

When I started this blog over a decade ago, the first dozen entries or so were posted at seemingly arbitrary intervals. It was an experimental venture that took a few months to settle into a regular cycle, initially every Monday at 5pm.

It made sense, considering my schedule at the time. I could write the blog over the weekend and then make any tweaks during the day on Monday. These are now posted around 8pm every Tuesday, which coincides with the end of my writing group, so I can use that time to make amendments.

The purpose of this schedule is to keep me producing at least one piece of prose per week. I don’t always manage a full entry, but I always post some text, even if it’s to explain I haven’t managed to write that full entry. Additionally, my Wyverns group membership encourages me to produce at least one piece of poetry every month.

I hear about too many writers – especially beginners – who feel they aren’t real writers unless they set aside a certain length of time every day. Of those, there is a sizeable subset who feel the well-known writing routine of Steven King is the One and Only True Way.

I find this frustrating to hear. One man’s method is not everyone’s method, and it shouldn’t be treated as such.

Some authors swear by keeping a notepad and pen by the bed, or writing in the morning, whereas neither of these work for me. There are a few who consider the activity seasonal, doing the bulk of their work in the summer or winter months.

There are also environmental factors. Bizarrely, one of my favourite places to write used to be in a certain branch of McDonald’s, and I can’t explain why. Maybe I should go back there and see whether it still works.

Once you experiment with your times and figure out what schedule works for you personally, the process will probably become easier.

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Taking The Michael

This entry builds upon what was said in the last entry about the Michael Palin TV series Around the World in 80 Days. If you don’t want to know the major plot points, skip this one.

I’d previously managed around half an hour of the first episode before describing it as a posh boys’ club and switching it off. I’m pleased to be proved wrong – albeit only partially.

The third episode is devoted to a seven-day trip on a small boat from Dubai to Mumbai. Everyone on board is expected to muck in with the rigorous daily routines and Palin shows himself to be remarkably adaptable.

But two episodes later, after reaching Hong Kong, a chauffeur is waiting for him with a bottle of champagne. He’s then taken to luxury accommodation and meets several entrepreneurs. It’s clear this is where he feels most at home.

There are also occasions where he would be wise to keep his mouth shut. I found he often felt a need to provide a commentary on what was happening rather than being silently present in the moment. He also asks some questions to female train passengers that seem inappropriate to modern ears.

I’m willing to cut a little slack on that front. The series is around 35 years old now, when Mumbai was still Bombay, plus Hong Kong was yet to be handed back to the Chinese.

On balance, I’m glad I revisited this. By his later series Pole to Pole, he has become better at presenting the places rather than himself, and at handling unexpected situations.

But we can’t talk about Palin’s very real journey without referencing the fictional journey of Phileas Fogg from the source novel Around the World in Eighty Days by Jules Verne.

I’m very much of a mind to read this sooner rather than later, especially as it’s in the public domain and widely available. In fact, Project Gutenberg has an audio version available free of charge, just like its text-based content.

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When You Simply Can’t Enjoy It

Some advance warning that this entry is likely to give away major plot points for the film All of Us Strangers and the Michael Palin TV series Around the World in 80 Days.

A couple of weeks ago, my pal wanted to see All of Us Strangers at the cinema. I looked at the blurb on the website and it didn’t appeal to me, but I said I would take a chance on it. I’m rarely disappointed by a film, so the odds were in my favour.

I can’t fault the cinematography nor the soundtrack, but there were parts of the plot that didn’t make much sense to me.

Let’s start with the times Adam jumps on the train to see his parents. What is he actually doing while hallucinating? It’s revealed he can’t actually access the house, so is he sitting in the garden? And if so, why did nobody call the police on him?

The ending includes a twist where we also find out Harry has been dead all along. Yet if they’ve only met once, why did Adam think it was all right just to let himself into Harry’s flat. And when he discovered Harry was dead, why leave him there without reporting the incident?

While acknowledging I’m in the minority, I think the four- and five-star reviews are way off the mark here.

This brings me to the second production: Around the World in 80 Days, originally broadcast by the BBC in 1989. In this challenge, Michael Palin attempts to follow the steps of Phileas Fogg in the book of the same name. As the source novel was published before the advent of powered flight, he wasn’t allowed to use aircraft.

I was quite young when this was first shown – I might even have watched a repeat – but I do remember enjoying the sight of all the different lands he visited, plus a scene in the final episode where a vendor wouldn’t sell him a newspaper because he didn’t want to be filmed. As such, I recently took the notion to watch the first episode and see how it actually compared to my memory.

I lasted until halfway through it before switching off. While acknowledging the programme was supposed to be aspirational, I felt as though I was watching a posh boys’ club rather than a travelogue, as he dined with his fellow Monty Python members before leaving and then in the first-class area of the Orient Express.

The final straw came when the train stopped in Italy because of a rail strike so a replacement bus service was arranged for the next leg, and Palin threw down his magazine in disgust.

Perhaps this is merely the set-up for a redemption arc to be explored in later episodes, and I am willing to give the rest of the series a shot in the near future. At the moment, though, I agree with Alan Whicker’s terse assessment that the programme was a ‘seven-hour ego trip.’

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Looking Out for Each Other

One of the best pieces for anyone looking to be published is to fully read the submission guidelines for any publisher you wish to contact.

It came to my attention late last week that Auroras & Blossoms is soliciting submissions with conditions that many writers and editors consider unfair and unorthodox. You can read some reactions to these guidelines online and find links to the publisher’s website.

For someone like me who has made hundreds of submissions to many publishers, I can immediately see what’s wrong. For instance, it’s highly uncommon for a publisher to withhold royalties unless the writer makes a donation. For a beginner writer who hasn’t yet developed that frame of reference, it’s easy to be caught out.

Fortunately, the Science Fiction and Fantasy Writers Association is also worried about this problem. They run a blog called Writer Beware that’s geared towards any author, regardless of genre, highlighting the latest scams, impersonations and general shadiness. Unbelievably, this has been online since 1998.

Shortly before posting this entry, I discussed the blog with a pal. She not only already knew about the Writer Beware blog, but told me she’d brought Christina Kaye to their attention after a bad experience. Since the original post in November 2021, many other writers and industry professionals have added their voices, with a couple of comments even dating from last week.

While the problem of dodgy publishers isn’t new and isn’t going away any time soon, there are at least some in the industry who have your back.