Looking Ahead to January

Although it’s not until next year, I’m already gearing up to take part in Fun a Day Dundee (FADD) for the third time. This is the local chapter of a global project that encourages participants to undertake something creative during the month of January. It happens at a time of year when professional artists and creators often struggle after the Christmas rush.

I first learnt of FADD in 2017, although the group has been running since 2011. A few of my artist friends were taking part, some working on a different piece every day for the 31 days, others concentrating on one or more larger projects during this time.

Those friends told me I should take part the following year, but I had some reservations: I’m not a painter, a model-maker, a jeweller, nor anything similar. Rather, my craft is writing words in pencil or pen on lined paper.

Rationally, I knew I was welcome, while still feeling like a misfit. As such, I hesitated in signing up, only registering my interest on the first day: 1 January 2018.

I started off with the intention of producing one piece of prose or poetry each day of the month, with provision to create side projects if something else occurred to me that I wanted to try out. Four days into FADD, I created my first such side project and something extraordinary happened.

In late December, I’d ordered a watch strap from Amazon, and it arrived in early January with six wasteful feet of brown paper cushioning stuffed into a needlessly large box. But inspired by the artists of FADD posting their work on Instagram and Twitter, I straightened out the paper and kept it aside for the public exhibition. I then planned to invite visitors to write down their own stories of corporate waste on that sheet of paper.

With the addition of that piece and my other side projects, the exhibition display looked so much more colourful and engaging than simply a folder full of black or blue ink on cream paper, and visitors did indeed fill the paper with anecdotes.

But more than that, this piece in particular gave me a direction for my 2019 project, where I still wrote words, but on recycled material. The surfaces used included used envelopes, expired tickets, and even the sole of a worn-out Dr Marten boot; anything except fresh lined paper.

In 2020, I have every intention of taking the recycling theme one stage further. The finer details will be worked out nearer the time, but the project will include actively destroying some of what I wrote in 2018 and 2019, and encouraging the public to do the same.

Whatever happens, however, I will make sure I have fun doing it, just as the name suggests.

The End of Days.

I know you can’t see me, but I’m blowing a whistle as we speak, indicating the final dying minutes of National Novel Writing Month. I breached the 50,000-word target by only 29 words; that’s 13 less than my very first novel in 2010.

Last year’s total was 60,000 and I’d barely scratched the surface, but this time around, I don’t have the material to go much higher, so I’m happy with my haul. Many congratulations if you’ve also hit the benchmark.

My aim is for this to be the last time I bore you with this subject for the next eleven months.

I’ve been to a number of literary events this week, including a fiction writing and a life writing class, and I’m pleased to say I’m enrolled in the continuation class for the latter.

On Thursday, I attended a literary salon where I heard current English students read out their best pieces. Then on Friday, a poetry and cabaret event. A number of pieces were in the Dundee dialect, which must have confused the last act, a songwriter from New Orleans.

I’ve lived in the city most of my life and understand most of the vernacular, yet I’ve never naturally spoken it. It inspired me to write a poem exploring the theme, and I completed it before the event ended. I’m not known as a poet, and I’m not at the stage where I would describe myself as one, but I have been dabbling in the form.

I’ve also been working on another piece, but I need to give you a bit of background. If you didn’t know, I’ve only been a writer since October 2010. To put that in context, I was 27 when I wrote a fictional story for the first time since high school. The piece was that first NaNo novel.

However, when I was at school, I fancied myself as a singer-songwriter, not to mention an actor. I’d tried to write song lyrics, and I recently rediscovered a four-line fragment with two internal rhymes. Moreover, I can still remember the tune, and the words still resonate as much now as they did then.

At the time, I tried to expand it by writing extra verses, but nothing seemed to work until I turned to Google+ earlier this week. With the help of a community, I preserved the rhyme scheme but expanded the number of syllables, and I’ve now squeezed nearly four verses out of it. If I keep making progress, I finally hope to perform it on December 9th after all these years.

After a conversation with my former NaNo Municipal Liaison a couple of weeks ago, I raked out my school qualifications. I’d correctly remembered I’d earned only a C for English, although I have criticisms about the way it was taught. Perhaps that’s why I never pursued it, or perhaps I was too fixated on music to realise my strength was in words, not instruments.

I’ve got to make up for the time I wasted setting up blogs writing factual events without realising that I was able to write fiction. I kick myself every day about my late start, although I take some comfort from the careers of Barbara Taylor Bradford and Richard Adams. Their first books weren’t published until they were over 40 and over 50 respectively.

But I need to work fast if I want to reach a state of parity. I want to reach the point where I’ve produced as much work as if I’d started as a teenager. I have around 200 pieces in total, but that could have been 1,000 if I’d begun at age 15.

I won’t rest until I’m satisfied I’ve made up for every minute of wasted time.