Friday Poetry in St Andrews

It’s the time of year for StAnza, the annual poetry festival in St Andrews. I’ve made a point of going for some years now, as it’s only half an hour away by bus.

I would normally go on a Saturday and/or a Sunday, but I could only attend the launch party on Friday instead, and this also meant missing a visit to a pal who lives nearby. Before the pandemic, I would set aside the weekend, typically staying in the town. I’ve fallen out of that habit, but next year would be a good time to resurrect it.

During the same period, the festival length has been reduced from six days to three. I’ve heard grumbles from poetry pals about this cut-down programme, this would work in my favour. By omitting weekdays other than Friday night, there’s less chance of events clashing with work, and I’d be able to attend late-night readings with a finishing time dangerously close to the last bus home.

The next email I’m expecting from StAnza is a feedback form. They’ve nothing to worry about on that front, as I enjoyed the launch. Half of it was improv, calling poets at random to read poetry themed around colours, with the other half a structured reading from Ruth Padel.

The more important aspect is that such festivals often rely on sponsors for their continued operation. The more customer reaction the organisers receive, the easier it is to convince funders to back it the following year, so always fill these in.

The other two places I would like to visit for the first time, ideally this year, are the Wigtown Book Festival and the Orkney Storytelling Festival. These start in September and October respectively, but it’s a good idea to start planning now.

Last Call for Creative Scotland Open Fund

Over the last couple of days, Creative Scotland has announced the closure of its Open Fund for Individuals.

In short, the decision has been taken because the Scottish Government were unable to confirm the release of £6.6m in the Grant-in-Aid budget. There is a full statement about the closure on their website including the deadline for all applications: 2pm on Friday 30 August.

As the closure has only just been announced, the long-term effects have yet to be seen. The topic has dominated my recent conversations with other organisers. One possible outcome is that it will be more difficult for artists to host riskier solo events, and instead prompt them to join established companies who might be less willing to take risks.

I’ve been fortunate in my projects that I’ve never needed to apply for funding. Yet having this avenue cut off potentially limits the scale of my future endeavours. I hope next year’s budget brings a more favourable result.

Connecting with Creatives

For the last couple of years, I’ve been a member of a local group called the Amps Network. For a reasonable annual fee, creative folks in and around Dundee can join to meet other members and occasionally attend exclusive events.

I’d known about the network for a long time before I eventually joined. I thought I wouldn’t be welcome because I don’t rely on the arts for my main income. Many members are full-time in the arts, but this is not an exclusive club. Amps events tend to be seasonal, and it’s been more active over the last month or so.

Last week, I joined a discussion group at Dundee Rep Theatre asking how life could be improved for freelancers. One issue dominating this discussion was the recent £6.6 million budget reduction for Creative Scotland, although other issues like communication and longer-term projects were also prominent.

This morning, I also attended a weekly video call for members to discuss questions from, ‘Are you an early bird or a night owl?’ to ‘What makes you contented with your creative practice?’

A regular feature of meetings is Pass the Mic. If members have a project they would like to promote, they can be announced to the group at the end of the event. I’ve learnt this came about by necessity after a projector broke down at an event and the presenter had to fill 20 minutes while it was fixed.

I’ve stolen the idea for my own open-mic event, Hotchpotch. The difference is that our microphone isn’t wireless, so can’t be passed around. Instead, we substitute a tin of chocolates while members promote their work.

Speaking of Hotchpotch, we’re pleased to be able to continue again tomorrow, Wednesday 11 October. Our format evolved on the pub circuit, where we’d enjoyed using a room free of charge for a long time. As we’re now taking over a café and need to pay a hire fee for the evening, tweaks have been made to the format. These include an earlier start, a 9pm curfew, and the introduction of a donations system.

Next week, I hope to be able to bring good news about how it went.

From Scratch

I haven’t had much time to pull this entry together, but working quickly has very much been the theme of this weekend.

The Netherbow Theatre at the Scottish Storytelling Centre
The Netherbow Theatre at the Scottish Storytelling Centre

I attended a workshop run by poets Jenny Lindsay and Rachel McCrum at the Scottish Storytelling Centre (SSC), aimed at those who have a spoken word show either already written or at the draft stage.

On the Saturday, we discussed such topics as: how the show might be mapped out, technical considerations, and how to attract funding. We were also invited to try a number of physical movement exercises and experiment with using the space.

The next day, the group put together a show from scratch, making sure the running order flowed, discussing lighting requirements with a technician, and ultimately performing our best pieces in the custom-built Netherbow Theatre at the SSC.

I found the group a joy to work with. Jenny and Rachel pointed out there were no ‘egos’ and that we all took each others’ ideas on board. The final show went incredibly well. I usually find among a group of writers that I like many of the others but there’s one whose work I especially admire. This weekend, I found that person and let them know.

As I begin the week, I’m excited to take my project to the next stage, and I’m looking forward to keeping up with some of the other participants.