It’s Your Letters

Earlier this month, I received a handwritten letter from my pal Katy. We’ve known each other online for nearly two decades, ever since LiveJournal was the dominant blogging site.

However, this letter was one of the few times our friendship has seeped into the real world. We haven’t even spoken by phone before. I think our last piece of written correspondence was when I surprised her by sending a birthday card to a radio station where she volunteered.

This month’s letter was actually the second one she’d sent recently. The first went AWOL en route from Wales – and has never turned up.

I occasionally speak here about the enjoyment I gain from writing by hand. I keep a particular style of notebook with perforated A5 pages, plus several blue pens of the same type so I can carry on if one of them runs out. Even when I’m working on a non-handwritten project, the first draft is usually done in pencil and only transferred to a computer at the second stage.

I’ll reply to Katy when I have the opportunity. She’s given me eight optional questions to think about, but I reckon I have an answer for each one.

Back on The Slam Wagon

Earlier this month, I visited the StAnza poetry festival in St Andrews. On previous visits, I’ve stayed overnight to allow me to visit the poetry slam, which finishes around midnight. This time, because of other commitments, I missed out on what’s normally one of my highlights.

Nonetheless, I did manage to take part in a smaller-scale slam on Saturday just gone and at a more local venue. Unusually, this was hosted and judged by comedians rather than poets, which lent the evening more of a cabaret vibe.

I’d half-forgotten I’d been invited to perform there, so I spent much of Saturday trying to re-learn a poem I’d written about three years ago. But as each performer would be invited to perform at least twice, I had to accommodate for that too.

Plan B was to find a short poem that I could remember, or at least improvise with.

Plan A was more of a risk, but also what I ended up doing. During the first round, I would write clerihews about the performers and the judges, and perform it as my second poem. It’s something I’ve done before at poetry events, but never competitively. Just as actors often take improv classes to improve their skills, I think writers can benefit from timed exercises.

Ultimately, I didn’t go through to the third round. I don’t know how that would have gone anyway, as I’d created a lighthearted atmosphere with my first two pieces, then my third one would have signalled a definite change of mood.

The top honour went deservedly to someone who’d won the StAnza slam just one week before.

Inside the Box

Only in the last 12 months or so have I discovered how much I dislike writing outdoors. I’ve recently been thinking about this, but because of an art lesson rather than prose or poetry.

The task was to find leaves from trees and bushes, then draw them under natural daylight. It did not go well. I set up a table and chair on my balcony, which doesn’t see much sunlight until later in the day. It was freezing, it was windy, and at one point, my pen fell off the balcony. A sunny day can be just as bad, making it difficult to read a computer screen with the glare, and there’s still often a risk of rain.

But more than that, even under the most favourable of weather conditions, I only enjoy writing indoors. When I’m outside, I like to be standing up and moving about. It’s not an environment that puts me in a frame of mind for writing.

This knowledge helps me incredibly. I know if I want to finish – for example – a blog entry at lunchtime, it’s not worth the 20-minute round-trip to the park, and that I’d be more productive sitting on my couch.

Preserving Audience Expectations

About three weeks ago, I received an e-mail from a poet who’s planning a book tour and was looking to promote it later this year, either in an existing event or as a one-off collaboration.

I was rather excited by the idea. This poet is quite well-known on the Scottish scene and to have her along at Hotchpotch would be a terrific boon.

On the other hand, our open-mike night is not set up to place the focus on one person. Instead, everyone who comes along on the night is given equal time and prominence. Furthermore, we’ve already arranged to vary the format in September and November this year to welcome an established company. The question was whether a third time might have been too much.

As such, I made the suggestion of having the book launch before the open-mike. I also urged the poet to contact another organiser whose events do have a headline act.

I then received a message from the other organiser at the weekend saying this person was ‘quite a scoop’ for his event. Although the door is still open for a Hotchpotch tie-in, I still feel it was a good call to preserve the open-mike element and therefore the expectations of the audience.

Wherever this poet chooses to launch, I look forward to seeing it happen.

A Surprisingly Unpopular Event

I received a message from someone local who’s currently working on a community-focused project that launches this weekend. It’s aimed at encouraging people to think more about the clothes they have, the memories they represent, and imagining what might happen when these items are passed on.

One of the proposed events was to bring in local poets to respond to the above themes, but as the organiser didn’t know many poets, she wanted to tap into my connections. I was happy to help out, and I spoke to two of my poetry groups.

After a week, I was surprised to receive virtually no response to my messages, especially as the clothing event was intended to take place in person. As an organiser, I’ve found that people react to staged events more positively, as the public has become weary of so many virtual ones.

I explained this to the organiser but added that I would still like to contribute. My starting point was a T-shirt from 1996 that I still own, and the resulting piece became an exploration of when I met my first girlfriend at age 12, and how my approach to relationships has changed between then and now.

I don’t know whether I’ll actually be able to attend, as something more pressing has arisen, but I wish her all the best with the project.

Thinking Time

My main way to consume novels and other publications is to listen to the audiobook version. This allows me to walk or run or be otherwise active at the same time, so I tend to read paper books only if there’s no other option.

However, I also go through periods of not listening to anything, and I’m currently in one of these periods.

I mentioned in my last entry that I’d been unwell, but that I was able to finish a short story I’d half-written. I’m feeling much better, and I’m back to leaving the house for much longer periods. I’ve been using this time to think about the sequel to that story, and now that’s coming along nicely.

I’ll eventually be ready to go back to the audiobooks, but I can’t see that happening for a little while yet, at least until that sequel is completed. But when that day comes, I’ll be able to pick up from where I left off.

Note to Self – Don’t Call This Entry ‘A Walk Down Memory Lane’

Yesterday, a pal had planned to come and visit me, but she had to call off through ill-health. I used the time instead to go for a long walk, which ended up being more than 11 miles.

I’ve always found walking to be useful for sorting out ideas, but when wandering around certain areas, I also remember fragments of what happened there. Sometimes it’s a conversation with a primary school teacher, or where I first heard a certain song, or a memory of what the place formally looked like. There’s even an area of town I associate with Moby-Dick because I regularly read it on the bus while travelling through.

As I talk about all these memories, it also strikes me that while they’re reasonably interesting snippets, few of them hold enough substance to be an anecdote in their own right.

That’s one of the key differences between nostalgia and memoir. Nostalgia can be as simple as a reminiscence about a happy time, whereas memoir typically tells a story.

One of my favourite memoirs is Toast by Nigel Slater, where each vignette is titled as the food he was eating or cooking at that period in his life. All the stories are strong enough to be self-contained while still sticking to the subject.

That’s not to say my wandering memories are completely useless. If I were in a writing class, and the prompt warranted it, I could pick one of these as a starting point for a poem or a fictional story, just not a biographical one.

Changing Times and a Change of Time

I’ve left it until the last minute to write this entry. It’s not entirely because I’ve been busy – although that’s a factor – but because I wanted to hear the announcement today from the Scottish First Minister, Nicola Sturgeon.

Tomorrow is the next instalment of my open-mike evening Hotchpotch, and it was expected that new restrictions would be brought in today on account of the Omicron variant of COVID-19. Happily, nothing in the announcement affects our ability to hold the event tomorrow, even if more members might choose instead to attend our virtual event on Sunday.

Last week, we were also able to run a new version of our gameshow The Literal Flow Test, involving Christmas-themed topics, as part of a wider programme of events. I might come back to this topic in a future week as there’s a story to be told there as well.

The one event that isn’t back in person is National Novel Writing Month (NaNo). As that organisation has a largely top-down approach, all the regions in the world have been advised not to meet except online, even if our local authorities allow it. Which brings me to a point about the timing of my weekly blog posts.

When I started writing this blog, I was able to update regularly at 5pm on a Monday. This evolved into 6pm on a Tuesday, and that lands squarely during the NaNo meetings. That used to make sense because I would talk to people around a table while using my PC to type the entry.

Because I’m now using my PC to talk to members and write at the same time, it’s not so simple. As such, from next week, I’ll be updating this blog at 8pm on a Tuesday. The time is still subject to a trial run, but expect my entries to appear a couple of hours later.

When The Muse Strikes

As I sit down to write, it feels like a continuation of the last entry, where I talked about inspiration appearing at 5am. This time, however, the inspiration happened near the end of the day.

I’ve been asked to provide a poem for a 12 Days of Gratitude project. As late as Saturday of last week, I’d absolutely run dry of ideas. There were plenty of people to thank, but nothing that fitted into a structure.

While I do find walking helps with the process, I wasn’t having much luck – and over an hour later, I thought of my first line and the structure. I even took a couple of pictures to document this. It’s rare that I would show such an incomplete draft so early, but it happened by surprise.

Half-completed villanelle about gratitude
Half-completed villanelle about gratitude

My walk had taken in river views and grassy areas, but when I wrote those lines, I was probably the least inspiring place I’d been that evening: behind the Mecca Bingo.

Picture of Mecca Bingo where villanelle was written
Picture of Mecca Bingo where villanelle was written

What I need to do now is finish the piece and make a recording of it, but arguably the hardest part is over, so the rest should be plain sailing.

Taking You Places

Although it’s bad form to take people away from your own website to visit others, I’m making an exception this week.

Creative Dundee asked me to make a blog post, which I’ve spent a few weeks working on, and you can read it on their page.

Join me here next week, where I promise not to send you elsewhere.