Ideas Happen Outdoors, Writing Happens Indoors

I’ve realised there’s a contradiction in my writing process, and I’ve been struggling to reconcile the two sides of the coin.

On the one hand, I occasionally pepper into my entries that many of my writing ideas happen while walking. There’s something about the constant motion that brings these to the surface.

On the other hand, I realised a few years ago that I consider writing to be a strictly indoor activity, not an outdoor one. I examined this in a short entry titled Inside the Box from 2022, and I still agree with the points made.

The recent streak of sunny weather has brought this duality to mind. It’s provided a good incentive to go for these walks and think about recent projects.

I will, of course, always write down an idea when it occurs. Yet even on the warmest day, I hadn’t once considered intentionally taking my computer or notepad outdoors.

I entertained the thought that it might be down to practical issues like screen glare, spitting rain or unexpected gusts. Annoying as these are, it doesn’t fully describe my aversion to outdoor writing. I can be anywhere with walls and a ceiling; I’ll happily write on public transport, and I even jotted down the beginnings of a poem in a club this weekend.

In short, it simply feels wrong to write anywhere but indoors, and there’s no concrete reason for it, especially when I like to be outdoors to form ideas.

If you’ve any clues or insights about why this might be, I’d like to hear from you.

Problems with Printers

I have two wireless printers used for different purposes. The larger one takes A4 paper and is for ordinary documents like manuscripts, while the smaller one prints onto a roll of thermal paper and can be used to create typed stickers. As they’re both made by Brother, they’re distinguished by the network names Big Brother and Little Brother.

A few weeks ago, I started to experience problems with the first of these, particularly when trying to print off documents from Outlook. Last week, the connection completely broke down, and it was the very worst time for this because I needed to print off a proposal I’d written for a writing class.

As such, I spent a chunk of Good Friday fixing the problem. The problem somehow fixed itself after I removed the printer from Windows and added it again. It happened just in the nick of time to commit that proposal to paper, and I hope to bring further news

At around the same time, Little Brother was up to the capers. This always had a quirk where the software sometimes says it’s offline, yet it spits out the print a few seconds later. More recently, the printing has become more hit and miss before failing completely.

It’s only by good fortune that I didn’t urgently need prints from that machine, since it took a lot of time on Saturday to fix it. It proved necessary to remove the existing installation, then use a temporary wired connection and disable the VPN while setting it up again.

I don’t fully understand the problem, but it’s probably not unrelated to a recent Windows update that won’t install for me, and it seems many other users are in the same situation.

What I now have, however, is a USB cable on standby in case this happens again.

Putting a Full Stop to Scams

I watch a YouTube creator who goes under the alias Kitboga. In 2017, he discovered his grandmother had fallen victim to several scams, costing her hundreds of dollars every month.

Inspired by this, he now produces content aimed at exposing phone scammers and educating viewers about how to spot their tactics. At the very least, he wants to waste hours of their time that might otherwise be spent scamming others.

The style of the channel took some time to grow on me, as it’s rather chaotic. He typically uses a voice-changer to make scammers think they’re talking to an elderly person, before making up nonsensical stories to tell them, often on the spot. Between calls, he explains to the viewers what he’s doing and why.

On Sunday, Kitboga posted a video where he spoke to a scammer who claimed to represent the publisher Penguin Random House. Unusually, the other party agreed to a meeting via Zoom. I won’t give away the outcome, but I promise it’s worth watching the entire 36-minute video as he explains the scam and considers his next move.

This isn’t the first time a publishing scam has been featured on the channel.

Back in October, the channel exposed a group targeting self-published authors with screenwriting deals. At around the 27:45 mark, he even gave a shout-out to the Writer Beware blog, which had been documenting these cases over many years.

Most of us want to see our writing out there in the world, but we also need to be careful. One of the best ways is to be very dubious about anyone who reaches out with an offer regarding your work.

If you’re ever uncertain whether a contact is genuine, be sure to check with the company. You can often find details on their official website, in the indispensable Writers’ Handbook, and/or in the Companies House database. When in doubt, hit the Block button and move on.

NaNoWriMo – The Last Word

It was quietly announced last week that the organisation behind National Novel Writing Month was to close. Universally known as NaNoWriMo, or even NaNo, this was a challenge to draft a 50,000-word novel during November each year, later expanding to include smaller challenges in other months.

The announcement, made on Sunday 31 March, was so quiet that only those on the mailing list received it. There also exists a corresponding video from the Interim Executive Director, which has not gone down well with the commenters.

And yet, at the time of writing, the official website remains unchanged. So when I heard the news second-hand on April Fool’s Day, I had to double-check it, missing the chance to include the news as last week’s entry. Still, the week-long gap has allowed some time for reflection.

I joined NaNo in 2010. It had been around for 11 years at that point, and was arguably at the height of its popularity, as illustrated by Google search trends over the years. There were dozens of affiliate groups around the world, including one in Dundee city centre. At my very first meeting, my laptop ran out of battery, so I rushed out to buy a notepad and a mechanical pencil. The graphite rods kept breaking, rendering it next to useless.

Fast-forward five years, and I’d graduated from member to organiser in the natural flow of people leaving and joining. I stayed in that role for nine years alongside several different co-leads until we withdrew our affiliation in 2024 over the nonsense that had been happening.

By this time, I’d fallen out of love with the central November challenge, as I found myself with an increasing series of started but incomplete novels. I didn’t fall out of love with bringing writers together, so I’m pleased still to be co-leading the independent group we created to replace it.

So the big question: what caused the closure? It’s a complex story that can best be told by the NaNo Scandal website, which has documented the problems with the organisation from December 2022.

However, the simplest analogy is that of a Fortune 500 company, which will typically act to keep its stakeholders satisfied. In the case of NaNo, the stakeholders were the organisers on the ground who encouraged members to keep writing and to keep donating. After alienating these folks, the cash dried up.

Speaking of cash, search information from the US Internal Revenue Service (IRS) website makes for interesting reading. From what I can gather, the nonprofit National Novel Writing Month should be filing Form 900 annually, which then becomes a matter of public record. However, the last document at the time of writing dates from 2021.

A screenshot from the US Internal Revenue website illustrating the points mentioned in the plain text.

I’m absolutely no expert, so perhaps there’s a genuine reason why the last four years are missing from this list. But if you’re an accountant or you’re connected with the IRS, you can access the search function and enter the Employer Identification Number 65-1282653 to find out the details.

I really don’t want to leave this entry on a sour note. I was involved with the organisation in some capacity for 14 years, so more than half of its 26-year history. I had some wonderful experiences, and I still speak to so many former participants. So here are three memories that stand out:

  • I held a couple of midnight launch parties at my home, with the plan to start writing in the first hour of 1st November. I had only a two-seater couch at the time, so every chair and cushion was taken up with people, who were also dodging electrical extension cables. As the clock hit 12am, the entire room fell silent for an hour, aside from the tapping of keys.
  • I’d met someone in real life and was chatting to her via Facebook Messenger. I wanted to take a gamble and ask her out, so I enlisted the members of that week’s NaNo meeting for advice, all of whom were in long-term relationships themselves. They helped me to steer the conversation and figure out what to say next. She still turned me down.
  • A local organiser used to be known as a Municipal Liaison or an ML. As the pandemic was easing, the government was permitting people to meet up again, while NaNo was still warning MLs to hold only online meetings. To circumvent this, I told the group I would be in our usual venue at a certain time, and there were spare seats if anyone happened to be passing, but that this was not a meet-up. I even wore a sticker reading NOT ML, which became an in-joke for a long time afterwards.

Money for Nothing, Join for Free

There are a couple of perennial topics on this blog. One of them is public speaking, and the other is banging the drum about joining the Authors’ Licensing and Collecting Society.

The ALCS was founded in 1977 to ensure writers are given fair payments for any of their works that are copied, broadcast or recorded. The organisation is the literary equivalent of the better-known PRS for Music, which does a similar job for musicians.

This year, £35,038,136 was shared between 111,415 members. It’s important to note this is not an equal share, but calculated according to the activity of each author’s work. You can bet that bestsellers like Richard Osman and Julia Donaldson took a sizeable chunk of the pie.

My payment this year was around £133. It’s not enough to live on, of course, but it’ll pay my energy company for nearly two months. What’s more, that’s from just nine publications spanning as many years.

So how does an author grab a piece of the action?

The ALCS has recently suspended online applications for reasons unknown, but will accept a postal version. Visit the How to Join page to download and fill in the form.

You don’t need to send any money. Instead, the organisation will deduct a one-off fee of £36 once you’ve earned that figure in royalties. This grants you lifetime membership. Payments are collected for a variety of different visual works, so check the website for details of these.

To start earning, you’ll need to enter the ISBN of each work you’ve had published. This is the 13-digit string of numbers beside the barcode, or 10 digits if the book was published before 2007. Remember to include every publication where you receive credit, regardless of its age.

After all that, it’s just a matter of maintaining your list of works on the website and awaiting the annual payment.

A Weekend of Minimal Writing

In an entry from 28 January this year, I spoke about visiting the Millennium Bridges in mainland Great Britain, making fleeting mention of a further visit to Land’s End.

The original plan was to pair that with a visit to John O’Groats a couple of days later. My train ticket would allow me to visit both places, but the storms did not, so I delayed my visit to Saturday just gone. My hotel booking couldn’t be cancelled without losing the payment; it could only be rescheduled.

From the January trip, I’d learnt a lot about the logistics of taking long-distance public transport and the luggage required for such a journey. It was almost perfect, but I forgot the charger for my laptop. With eight hours of total journey time between Dundee and Thurso, one of the nearest towns to John O’Groats, that would have been handy.

Yet it didn’t matter too much in the end. I had plenty of battery for the activities I absolutely needed to complete, plus Scotrail didn’t have many three-pin power sockets on this journey.

The trains did all boast USB type A sockets, but they didn’t appear to be at full voltage. This led to the discovery that my phone has an extreme battery-saving mode, so I could at least charge up faster than the power was consumed. If a story idea did occur, I always had a pencil and paper with me.

Once I’d reached John O’Groats, I found I didn’t particularly want to write, other than posting a card from the northernmost Post Office in the UK. I just wanted to wander about for a couple of hours, maybe take a couple of pictures for people back home. Unlike the Millennium Bridges, there was never a plan to chronicle this journey in detail.

I did, however, ensure I stood beside the signpost at each end.

Stories That Spawned a Saying

There are any number of everyday sayings that started out as phrases in literary works.

The example that comes most easily to mind is Hamlet. The script virtually acts as a Rosetta Stone of phrases that were probably fresh when first penned by William Shakespeare, but have since devolved into clichés. We won’t have time to explore all these in this entry; besides, Wikipedia has us covered.

Before introducing the two phrases I’d like to explore, a couple of honourable mentions:

Monkey’s Paw

Last week at writing group, one of the members used the phrase monkey’s paw. Having never heard it before, I assumed this was the invention of the Internet era, perhaps in reference to some meme or another. As such, I was surprised to find it dates back to 1902, specifically a short story by W W Jacobs. With those initials, it’s a real shame he didn’t live to see the World Wide Web.

The story centres around a mummified monkey’s paw which has been cursed. The owner will be granted any wish by the paw, but always with unforeseen consequences. This has come to apply to any similar situation in real life where the positive effect is outweighed by the negative.

The Monkey’s Paw is now in the public domain and can be read on the Project Gutenberg website. On the whole, I feel it’s well-written, but I would like to have seen more time taken to ramp up the tension before the third wish was used.

Jekyll & Hyde

On Thursday of last week, I went with a couple of pals to a stage production of Strange Case of Dr Jekyll and Mr Hyde; a search reveals the title is apparently not prefixed with The.

The concept of a Jekyll and Hyde character is so widely known that even those unfamiliar with the Robert Louis Stevenson novel often understand his duality. I too wasn’t particularly familiar with the story, but I enjoyed its execution and I’d be interested in reading it in full.

This particular adaptation took the source material and turned it into a one-woman stage production. Additionally, I’m already acquainted with the writer (J D Henshaw) and the performer (Heather-Rose Andrews), and we had a brief discussion after the show about the staging of it.

There was, unfortunately, just one scheduled performance or I would urge you to go and see one.

What to Write, What to Write

The primary motivation for making these blog entries is to keep me producing at least one piece of writing per week. Most of the time, I have something to say, but there are others where the tank is empty.

At the moment, I have several writing topics I can draw upon, but none are enough for a strong or cohesive entry. These include:

  • Creating a new character and backstory in Dungeons & Dragons after the former one was killed off. Before doing this, it would be more appropriate to discuss it with the group ahead of making it public.
  • Writing separate emails to the complaints departments of two different companies, but there isn’t much to tell because both queries were solved relatively quickly.
  • Snatching time to write blog entries while doing other activities. Again, I can’t think of much else to add at the moment.
  • Watching my first David Lynch film and exploring how he approached the script, but I need to read up on this subject further before talking about it.
  • What happens when a blog is abandoned by its user, yet is still online and untouched years later. I found a suitable example last week, but I’ve touched on this topic fairly recently when talking about my own LiveJournal blog back in November.

There might be a time in the future when these ideas suddenly become relevant, so they’re parked away for future use. While I was plodding through them, I wondered how much more motivation I would have if were paid like a columnist.

For a start, the process would be somewhat different. I use this blog to say what’s on my mind, whereas a journalist wants to explore a topic cohesively or to put forward a point. After submission, it would then be edited or revised by someone else for legal compliance and/or impact, so it’s debatable how many of my own words would remain.

The National Union of Journalists maintains a spreadsheet of how much its members report being paid for a variety of publications. For those rates, I reckon I could find an angle for any of these parked topic ideas, perhaps using the complaints as a critique of contemporary customer service or commenting on how the works of Lynch have bypassed me over the years despite his popularity.

I’m almost certain I couldn’t earn anything from this blog in its current form. Even by paying attention to search engine optimisation and including affiliate links, it’s simply too niche and too bland to gain any serious traction in the mainstream. I’ve even fallen out of the habit of checking the countries where my visitors are accessing it.

I add the caveat that there’s always a remote chance it’ll blow up in popularity for seemingly no reason, which sometimes happens online. Barring that, I’m happy enough for this page to remain as it is. It hardly receives comments, but it hardly receives tedious people nit-picking some fault or another, allowing me to speak as I find. That’s a trade-off that suits me nicely.

Blogging on The Move

On Wednesday and Thursday of last week, I had a plan to visit the eight Millennium bridges in mainland Great Britain: seven listed on Wikipedia and an unlisted one in Ayr that I learnt about from pals. Along the way, I would keep a blog of my progress on Tumblr.

As I had such a strong idea about where I would be at certain times and what I’d be doing, I was actually able to draft a substantial chunk of text in advance and simply copy it over to my travelogue.

Real life, of course, frequently has other plans. For instance, my first stop was to be the Millennium Bridge in London. However, my train from Edinburgh Waverley was cancelled at Newcastle. By coincidence, I’d planned to stop there on the way back for the Gateshead bridge, so I hastily wrote up a revised entry explaining the situation.

The planning did pay off, though. When reached the Big Smoke, I’d also planned to make a quick side-visit to the former London Weekend Television Tower and I’d already written and edited a block of text about why I was going there.

It was helpful that most of the trains had at least a USB socket, if not a 230-volt socket, so I rarely worried about running out of power. It was also helpful to have an All Lines Rover, which lets you travel on almost any National Rail line for a week, as it was necessary to be very flexible about my plans.

That was especially true when I cut the tour short after the seventh bridge at Ayr. The Glasgow one was within sniffing distance, but Storm Éowyn was closing in. There were already some cancellations that day, and no trains the following day, so I couldn’t risk being stranded.

By complete coincidence, I missed the bulk of its effects. The same day, I’d already arranged to be in York, where I’d booked a hotel before the full tour was planned, with it being somewhat central. I was then heading further south to visit a pal in Rhos on Sea. I did catch the fringe of Storm Herminia as I visited Penzance and Land’s End, but that was rather tame in comparison.

Some of these journeys took hours at a time, allowing me to make a lot of progress on a fantasy fiction series I’m writing. I write different projects in different ways, and this one uses a Google Drive document in a browser so the formatting of the text matches the paragraph spacing of the website, meaning I can copy over the text wholesale.

Even today, phone signal is still patchy on many parts of the nation’s railways. I’d assumed Google would simply cache my text locally during dropouts and post it when I next reconnected. What happens instead is that the browser won’t accept any more input until the signal is present. To work around this, I made a local copy, which I hope has maintained the correct formatting.

My next piece of writing will be less fun: an email to Great Western Railway, who sold me the train ticket. While the staff accepted it, all but two automatic ticket barriers failed to recognise it, and those two were only at exits rather than entrances.

That was the second time I’ve been on a tour of the Millennium bridges, the first being in 2023. Although I’ve no plans to do that route again. I’ve learnt a lot about how to prepare for such a tour and how to write about it. Once I think of a new challenge, I’ll build on that even further and tell you about it nearer the time.

Pencil, Paper and Privacy

I’m in a poetry circle called the Wyverns. Each month, we write a piece and share it with the rest of the group, inviting constructive feedback from the others.

This month, the prompt was Cartoon characters. With only four days until the next meeting and a hazy idea about what to write, I churned out a piece and an introduction directly into an email. After checking it over for any obvious errors, it was then sent to the other members.

When I told the group about how I’d composed the poem, it started off a discussion about the writing process, primarily whether we used paper to start, or entered it straight into a computer.

Typically, my pieces do start on paper. I make sure to buy a diary with plenty of note pages because these double as my notebook. It was a habit I developed a few years ago because I was typing all day at work, and it was a relief to pick up a pencil instead.

As I’m a touch-typist, writing by hand is considerably slower, but it can also allow more time to think about the text while composing. Paper also affords a less linear approach, freely allowing the addition of words with a carat mark or margin notes. A word processor, by contrast, typically likes to restrict the user to one line. There are odd exceptions like Microsoft OneNote, which can be used as a digital scrapbook.

I find writing by hand works best for prose and poetry. These blog entries are composed much more quickly, often in reaction to something that’s happened the same week, so these are entered straight into WordPress. I run a writing group every Tuesday and I often use that time to polish them off.

While we’re here, if you do a lot of writing on a computer in a public place, my advice is to buy a privacy screen immediately.

You can see the image straight on, or slightly to the left or right, while anyone looking at too steep an angle won’t be able to make anything out. Mine attaches with unobtrusive clear pads and stays permanently in place, but some other designs are removable.