Rediscovering a Dream Journal

Around two months ago, I rediscovered a dream journal I’d kept on another blogging website for around 2½ months in 2011. At present, all the entries are locked away, but the pinned entry suggests that mutual friends were welcome to follow it, and there’s an overview of my motivation.

I was inspired by a blogger friend who often experienced called WILD, or Wake Induced Lucid Dreaming, and how she found it a great source of inspiration for writing. This would have been less than a year after I started with the former National Novel Writing Month the previous year, so I was keen to try anything.

I did talk in the pinned entry about general techniques for falling asleep and how to check whether you’re in a lucid dream. At the time, I didn’t seem to realise there is a specific technique for learning how to induce WILD that would only have been a Yahoo! search away. What a missed opportunity.

I didn’t intend for the project to last any specific period; I didn’t set a time frame at all. It was just to there to store the material for use at a future date.

From the first entry on 27 July 2011, I made 11 regular updates – excluding the pinned post – with fragments of dreams I’d had over the last few days. One phrase that appears a lot is Forgotten on Waking, and that became the subtitle for the blog.

So what of the actual contents?

I need to be selective about what I post because some people referenced are still around. Other fragments have been tagged NSFW, or Not Safe for Work, whereas this WordPress blog is firmly PG. But there are some repeatable gems, reproduced here with the original grammar intact:

  1. 24 July: 1 saw round poles about 100mm wide and 1m long, with a large, “knob,” at the end of each, with an eight- or nine-letter word beginning with H word stamped on the handle. They were placed in a bucket in a white room like an art gallery. Still in the art gallery, I was impressed by a stand that held six posters – two wide and three tall – being folded up into a box shape about 50cm cubed.
  2. 31 July: I was arranging with a friend to pick up a crisis loan of £100 on my behalf and him asking via text message if he could use some of the money to travel back to give it to me. He replied, “If I don’t enjoy it, I’ll go away and never speak to you again.”
  3. 12 August: Dream 1, fragment: I learnt that the two men who operated the puppets on The Sooty Show were Army reservists, so they could only film when they weren’t required to be on duty.

Reading these again after 15 years, I can see why I thought they might eventually prove useful. The Sooty Show fragment in particular feels like the sort of premise that might make for a good short story, although I’d fictionalise the TV show. Even the objects in the art gallery objects might worm their way into the description of a scene.

While writing this entry, I intermittently thought about restarting the journal, maybe for a limited period, but it’s not a reliable method of generating writing prompts, Eleven entries across 2½ months isn’t exactly a production line, particularly when so many of them amount to Forgotten on Waking. The process also requires the will and the means to make notes immediately after waking up.

Rather, the value of this collection is closer to keeping a box of miscellaneous electrical wires. Most won’t have any practical use, but you might occasionally need one for a particular project.

Perhaps that’s enough reason to keep the journal as a fossil: you never know when you’ll need a mysterious art installation, a crisis loan, or an Army reservist puppeteer.

The Story Behind the Story

Last year, I completed an MLitt Writing Practice and Study degree. For the dissertation element, I had to submit a creative piece for 80% of the mark and a reflective piece worth 20%. In the reflective part, two references are juxtaposed:

  • Samuel Pepys and others, The Diary Of Samuel Pepys (London: Bell, 1970), p.xi.
  • Peter Doherty, The Books of Albion (London: Orion, 2007), pp.322-324

The first book was written by naval administrator Samuel Pepys who lived in the 17th century, and the second is by the musician Peter Doherty from The Libertines who’s yet to reach his 40th birthday.

English: Image is from H.B. Wheatley, ed, The ...
English: Image is from H.B. Wheatley, ed, The Diary of Samuel Pepys: Pepysiana (London, 1899). Book editor died in 1917. Samuel Pepys died in 1703. (Photo credit: Wikipedia)

But the reason they’re referenced so closely together is that they both kept detailed diaries. My creative dissertation piece was in diary form and I used both books to figure out how I was going to structure my own work; for example, whether I should use exact or rough dates, how formal or informal the language should be, and so forth.

It was Doherty’s volume that I find particularly interesting since he uses it in three ways, sometimes on the same page: as a notebook for poetry and lyrics, as a scrapbook for pictures and paraphernalia he likes, and as a diary to document where he is and how he’s feeling. It effectively tells the story behind his work.

At the time of writing the dissertation, I was also trying to convey the story behind my own creative piece, albeit in more academic language.

I was reminded of this last week while listening to Creative Chit Chat Dundee, in which the dancer Gemma Connell was being interviewed; I’ve known her for a couple of years now. Out of a dozen subjects discussed that I could have picked up on, the one that interested me most was that she likes to keep a journal of her process.

During National Novel Writing Month (NaNoWriMo), I’ve been journaling in a limited fashion. My own notes were functional, mainly reminders or suggestions for the story, but I was also interviewed by the woman who helps me run our NaNoWriMo region, so she has a weekly record of my progress. I’ll report back when I listen to it.

With journal-keeping at the forefront of my mind, I’m going to experiment with the practice for my next major project. I’m planning to take the Doherty approach. The journal won’t be online; it’ll be handwritten and kept separate from the material I’m writing for the project. Once it’s finished, it’ll be interesting to look back and to see how the endpoint compares to the beginning.

Dear Journal

This blog is currently updated every Monday at 5pm. Each entry is usually finalised a day or two beforehand, then is set up to post automatically at the allotted hour; however, I still like to check manually whether the update has worked.

This is a scan of a microfilm of the third pag...
(Photo credit: Wikipedia)

When I began this blog four years ago, it was convenient to make this check at 5pm. These days, it’s more difficult to be available at that time. So from next week, this blog will be updated every Monday at 6pm. However, as a participant and an organiser of National Novel Writing Month, I’m going to be hella busy over the next four Mondays. As such, my entries for this period will probably be short, functional affairs.

If you are taking part in the NaNoWriMo challenge, remember to take good care of your physical and mental health. In my region, Dundee & Angus, our ethos is that there’s no shame in not reaching 50,000 words, and it’s something our participants will be sick of hearing by the end of November.

It is a tough contest but it’s meant to be fun, so don’t let it overwhelm you. If it does, talk to your Municipal Liaison, or someone you trust.