Sitting – I Won’t Stand for It

Five years ago this month, I finally started working from home on account of the pandemic. This was a major change after 14 years being in an office, although the transition was delayed from March because my employer at the time had only had desktop PCs and needed to buy us laptops.

Before this, I’d already been interested in a standing desk. Regular use can help improve your overall health. To this end, I’d experimented with differnt layouts for my own computer, settling on a tabletop stand that could hold a laptop and nothing more.

With the prospect of working from home, however, it was necessary to find room for an external monitor because we used several software applications and it was easier to keep them all on screen at the same time. I quickly found a gas-lift standing desk adaptor and the employer made a contribution towards buying it.

In this time, I’ve changed jobs twice and moved house once, and I still work from home for the majority of the time. I realised recently that while the setup worked perfectly well, the equipment took up more than twice the space of what I actually required, so it was time to scale down.

My new desk is just 600mm square, split horizontally, as seen below.

The desk set up in a standing position, with a monitor, laptop and keyboard on the tabletop parts. Towards the bottom is a bank of electric sockets; to the right of the picture, wooden shelves can be seen.

The far half of the tabletop can hold the monitor arm and laptop, while the keyboard can be at a different height and/or angle on the near half. It even has a built-in extension cable and LED lights, eliminating the need to use my own cable.

I’ve had to compromise slightly, with the wooden shelves providing a handy place for a few of the electrical adaptors. However, all the essential parts are present and the new setup fits much more snugly into the room.

Here’s to this lasting at least the next five years, if not much longer.

A Matter of Presentation

It’s probably no surprise to regular readers that I’m not a full-time writer. Rather, my main income is from an office job. More accurately, I’m expected to be in the office for two days, with the other three at home.

While I’m at home, I like to listen to YouTube videos, particularly factual and educational ones. Since I started doing this, I’ve become more choosy about the types of videos I like and dislike.

For a start, I need audible narration rather than music and captions. I’ll be looking mainly at my work laptop and it’s not practical to turn to another screen every few seconds to find what I’ve missed. I also find it difficult to listen to synthesised narration; it has to be done by a person if they want my attention.

I have two particular go-to channels that fit this criteria. Firstly, I’ve long been a fan of Tom Scott, who’s now moved on from educational videos to focus on a gameshow called Lateral. Secondly is The Rest is Entertainment, where Richard Osman and Marina Hyde discuss show business, both in front of the camera and behind.

Next, while I don’t travel much in real life, I do it vicariously through channels such as Emma Cruises and Tips for Travellers, who prefer budget and luxury cruises respectively. Conversely, Ruth Aisling and Tom the Taxi Driver like to drive around, albeit in very different places. Jago Hazzard and Geoff Marshall travel on trains, whereas Mentour Pilot – that’s Mentour, not Mentor – talks through aircraft accidents in a way that doesn’t make you want to give up flying.

The connection between this list is that these creators know their subjects inside-out and present them clearly and factually. On the back of these, I’ve reasonably been shown suggestions for other similar channels, with mixed results.

Tom Scott indirectly led me to Wendover Productions who make 20-minute educational videos about all sorts of subjects, plus five-minute versions for smaller topics. On the other hand, watching Mentour Pilot routinely brings up 74 Gear. Both creators are equally qualified aviators, but 74 Gear tends to comment and respond to viral videos in an aggressive manner that I don’t relate to.

There is, however, one exception in the commentary genre, and that’s Gabi Belle, who does it with a lot of humour and insight. She also appears to be madly in love with Gordon Ramsay’s projects. It also took me a while to warm up to Pierogi and Kitboga who go after phone scammers, but I’ve learnt that both have had elderly relatives lose money this way and they don’t want anyone else to fall victim.

This is only a representative sample of my taste, but they all help the working day pass that little more enjoyably.

The One with the Problem

Last week, I made reference to an event called Make / Share, in which four people from different artistic disciplines were invited to talk on the subject of ‘Creativity and Self-Care’.

Each speaker gave biographical account of their practice and how each finds a balance between working and resting. Although each story was unique, they all had one factor in common: the artist had to suffer ‘burnout’ before striking this balance.

Mulling this point over afterwards, I was reminded of comments I made in the summer to some good friends that are believed we should be working longer hours in this country, as is common in places such as Japan and South Korea, and being more productive. My friends are great people, so while they thoroughly disagreed with my view, we didn’t fall out over the matter.

APO headquarters.jpg
A place called the Asian Productivity Foundation by Kwangyun.lee – Own work, CC BY-SA 3.0

I apologised to them and retracted my comments in mid-November. Looking at said comments objectively, I realised they were right and that I’m the one with the problem. Over the last few months, I’ve read a few articles on workaholism and found I could answer ‘yes’ to many of the questions. I began reading the Helen Russell book The Year of Living Danishly and thought it sounded like a dystopian nightmare.

The trouble is that I don’t feel as though I have a problem. Here’s how I stand now:

As this writerly lark doesn’t pay very much, I also have a full-time office job. I have more than 26 hours flexitime credit, although I have reached the limit of 29 before, and the last time I took annual leave was in August, with no plans to take any more in the foreseeable future. I run a writing group that meets up every Tuesday and I was pleased to find out our venue is open on Boxing Day and 2 January so we wouldn’t need to take a break. I also have plans to continue writing my November novel and a potential sequel, as well as adapt a public-domain book into a screenplay. I have a target of sending 53 pieces to publishers each year, an average of one a week plus another for good measure. I’ve managed 43 thus far, so I’ll add the other 11 to the 2018 target.

Yet I’m far from burning out; I make a lot of time to see friends and I have a reasonable sleep most nights. It’s simply a case that I need to be working in some way, either in the office or outwith; it’s what keeps me sane. Even when I read a book or watch a film, it’s never entirely for enjoyment, but to comb it for structure and techniques.

Thanks in part to the Make / Share event, I now know the signs of burnout to look out for. Unless that happens, though, I’m going to keep doing exactly what I’m doing – even more if I can squeeze it in – because I’ve never been happier.

NaNo Seconds

Every November, I take part in National Novel Writing Month – aka NaNoWriMo – which is a challenge to draft a 50,000-word novel in a month. Along with an assistant, I’m also a Municipal Liaison (ML) for the Dundee & Angus region in Scotland. We arrange regular meet-ups for members, encourage and support them, and persuade them to donate to the project.

As such, some of my other projects have to be scaled back or placed on hold. This includes submissions to publishers, reading books, and updating this blog. In fact, my current issue of Writing Magazine is still in the cellophane. However, I’m making good progress, having written more words than required every day so far; in fact, the whole region is doing a sterling job.

Writing Magazine still in cellophane
Writing Magazine still in cellophane