Laughs and Larks in London

Every Sunday, the Comedy Store in London hosts an improv evening, and it has done since 1985. I’ve occasionally considered going, but a few weeks ago, I was finally given a good reason to take the trip.

The actor Neil Mullarkey has been part of the Comedy Store Players since its inception. A few weeks ago, he announced his retirement, with his last show set to take place on 4 January 2026. I’ve been casually following his career since discovering him at the Edinburgh Fringe in the early 2000s.

So I made the visit on Sunday, taking a train to London, then the Caledonian Sleeper back to Scotland on the same night. The plan contained a number of variables, any one of which could have ruined the whole intererary, but it all fell nicely into place.

Aside from the aforementioned Mullarkey, the cast of players that night comprised Josie Lawrence, Richard Vranch, Lee Simpson, Rufus Hound, and Steve Edis on piano. The first two also were part of the regular cast for Whose Line is it Anyway?

The first half is all about short sketches, many of which are based on predefined setups. In Freeze Frame, a cast member could freeze the action and take the place of another actor. In Three-Headed Expert, three of them have to answer with just one word each, form a sentence with the others.

The second half follows a more play-like structure. In this case, it was a murder mystery set in the 1920s, with the action taking place in an organ loft. An honourable mention goes to Rufus Hound, who played it as a silent film actor, despite the musical element.

Almost every one of the scenes originates as an suggestion from the audience, who took up most of the 400 seats. It’s clear the players have been honing their skills over many years, drawing on a toolbox of voices, phrases and moves, however ridiculous the premise.

Although Neil Mullarkey’s retirement marks the end of an era, the Comedy Store Players are bigger than any one performer.

In 2024, Ruth Bratt became the first new member to join the core group in three decades, a sign that the troupe continues to evolve and that the Sunday night show will be with us for a long time to come.

To the Edge

Over the past week or so, I’ve had a lot of time to write while travelling on trains. In fact, I’m writing this from a hotel room in Birmingham that reminds me of an old-school Butlins chalet. That’s not a criticism; I think it’s marvellous.

Unfortunately, while writing, I haven’t had much time to write about writing. I only started this entry at 5:30pm and it’s due to be published at 6pm.

Douglas Adams is known for saying, ‘I love deadlines. I love the whooshing noise they make as they go by.’ I know he was trying to be funny, but I can’t get behind that mentality. To me, a deadline needs to be met, even if it’s a self-imposed one.

Last week, a friend needed a reference for a job application. I hadn’t read the e-mail properly and didn’t realise it needed to be done on the same night. I wrote it nonetheless on the grounds that the employer might be flexible. My friend agreed, so I submitted it the moment it was proof-read.

My top tip for meeting deadlines is to use a paper diary rather than a phone calendar; I favour a Moleskine. The pages are much larger than a mobile device allows, so you can see a week at a time, and you can refer to it while you’re speaking to someone on the phone.

Ring-Fenced Reading

By the time you read this entry, I’ll be on a train between Edinburgh and Preston. It’s a long journey, so I’m going to use the time to read two borrowed books.

"Derek Robertson [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons
Derek Robertson (CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)), via Wikimedia Commons
The first is ‘Hong Kong’ Full Circle 1939-45 by Alexander Kennedy. The author was a lieutenant commander who had 500 copies privately published to tell the story of his service. Although it’s not something I would pick myself, I’ve flipped through some of the pages, and it promises to be an engaging story.

The second is The Lighthouse Boy by Craig Mair, about the construction of the Bell Rock Lighthouse off the coast of Arbroath. I originally intended to read the book in the town, ideally on the cliffs overlooking the water, but my plan didn’t work out. Although the overall book is a work of fiction, its characters are based on real people and the plot is based on actual events.

There used to be a Silent Reading Party nearby, modelled upon an event in New York, where readers would sit together and read silently for an hour; attendees were allowed to converse beforehand and afterward. Unfortunately, the organiser hasn’t run the parties for some months now and I have too many commitments to revive it.

I enjoyed attending because the time was specifically set aside for reading. If I’d decided to do it myself at home or even in a cafe, I would probably have become distracted, but the presence of the other attendees kept me what your organiser has focused. So I hope I’m able to employ some self-discipline on this train journey.